According to Tanjiro Kamado, Nezuko was known as a great beauty in their home town. In the manga, Nezuko can sometimes be shown with more than one bow. She has soft-looking, pale pink eyes that appear a lighter color around the rims of their irises, slanted downward toward the sides of her face and framed by notably long eyelashes, the pupils of which can appear slit as she transforms. It reaches just below her waist, turning a flame-orange color as it passes her elbows, and appears to be crimped into large, straight ridges, worn side-swept drastically to her left. The removal of the muzzle shows that Nezuko has earned respect and trust from others as a demon who fights for humanity.Nezuko is a young girl with fair skin, visibly large, prominent fangs, and sharp, stiletto nails with a base color of light pink and ombre fading to a red-pinkish color at the end where they point. The muzzle also shows that Nezuko is a resilient and courageous demon who overcomes her challenges and sacrifices for the sake of her brother and humanity. The muzzle shows that Nezuko is a compassionate and loyal demon who values human life and fights alongside her brother against evil. Nezuko’s bamboo muzzle is a powerful symbol in the anime Demon Slayer: Kimetsu no Yaiba, as it reflects her personality, growth and relationship with Tanjiro. This scene marks a turning point in Nezuko’s character arc, as she finally gains acceptance and recognition from others as a demon who fights for humanity. She also tells Nezuko that she can talk freely and make friends with other people. Shinobu tells Nezuko that she does not need to wear the muzzle anymore, as she trusts her not to bite anyone. In episode 26, Nezuko’s bamboo muzzle is finally removed by Shinobu Kocho, another demon slayer who initially wanted to kill Nezuko but later changed her mind after seeing her kindness and courage. It also shows that Nezuko does not need the muzzle to prove her humanity or morality, as she has already proven them through her actions and will. This scene shows that Nezuko has gained more control over her demonic impulses, and that she can use her powers for good without harming humans. In episode 19, Nezuko breaks free from her muzzle and unleashes her blood demon art to help Tanjiro fight Rui, a powerful demon who tries to kill them. The muzzle is a constant source of pain and discomfort for Nezuko, who has to endure it for the sake of her brother and humanity.Īs the story progresses, Nezuko’s bamboo muzzle becomes less of a necessity and more of a choice. The muzzle also isolates her from other people, who fear and despise her for being a demon. The muzzle prevents her from satisfying her cravings, and also limits her ability to communicate and express herself. As a demon, Nezuko has an innate hunger for human blood, which she suppresses by sleeping for long periods of time. However, the bamboo muzzle also represents Nezuko’s struggle and sacrifice as a demon. The muzzle also acts as a reminder of their goal to find a cure for Nezuko’s condition, and their hope to restore their family. She also demonstrates her trust and loyalty to Tanjiro, who is the only person who can remove the muzzle for her. By wearing the muzzle, Nezuko shows that she respects and values human life, and that she does not want to hurt anyone. The bamboo muzzle serves as a symbol of Nezuko’s humanity and morality, as well as her bond with Tanjiro. He also tells Tanjiro to join the demon slayer corps and find a way to turn Nezuko back into a human. Giyu agrees to let them live, but only on the condition that Tanjiro makes Nezuko wear a bamboo muzzle to prevent her from attacking humans. Tanjiro begs Giyu to spare his sister, claiming that she has not harmed anyone and still has a human heart. The bamboo muzzle is first introduced in episode 2, when Tanjiro encounters Giyu Tomioka, a demon slayer who tries to kill Nezuko. In this blog post, I will explore the meaning and significance of Nezuko’s bamboo muzzle in the anime, and how it reflects her character development and relationship with Tanjiro.
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